In an interview with Joshua Jackson, Total Sci Fi pulls out some interesting comments from Joshua about the security of the Fringe script. I guess it’s understandable why the networks like Fox want to keep the Fringe script secured, but it seems like it’s almost impossible to keep it from getting leaked. There are spoilers all over the internet and Fringe is no exception. Just do a quick search and you’ll see a long list of spoilers for your viewing pleasure.

Either way, the following interview with Joshua Jackson about securing scripts in Hollywood is quite interesting.

Had you auditioned for a J.J. Abrams project before?

I had auditioned for Star Trek, which I think was sort of my audition for the series. Nobody will say that but I think that is the truth. As much as I am enjoying working for J.J. and Bad Robot right now, he is like a hunted man. Everything that he does or writes down, people are trying to get on the internet. I have never dealt with so much security. My script has my name printed on it, they have to change the letters inside the script to serialize them so they know who leaked it in case it gets out. I also had to sign a non-disclosure agreement for when I get my script every week.

Lost has certainly struggled to keep that top secret element as well.

In a perfect world, hopefully Fringe is that good and obviously that is a high water mark with the Bad Robot people. J.J. promotes from within his own company and the guys at Lost are brilliant. Everything they’ve done with that show is brilliant and the hardcore fanbase is rapid and probably a little unhealthy [laughs]. That being the case, when you can get people that engaged in a show, it just allows you a certain freedom. Most of TV is pretty thin but Lost is incredibly detailed because they know people appreciate it.
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You read for the role of Batman that ultimately went to Christian Bale. Did you also meet the producers for the upcoming Justice League movie?

No, I wasn’t in Los Angeles and in the crazy world we live in with all the Harry Knowles [type journalism] the script could never leave the office. For the X-Files movie, I went to meet [producer/director/writer] Chris Carter and asked if I could read the script. He said, “There is only one script and it is in a vault in my desk in my office. There are no pages to read.” I’m like “Okaaaay…”